An African presence in thirteenth-century Britain
The entry for Derbyshire in an abbreviated version of the Domesday Book – the Domesday Abbreviato – seems to contain the image of a black man.
This image invites many questions, including: what was its purpose? how did it reach early thirteenth-century England? and what might it have meant to the people who saw it at the time?
(Source information: the image is provided courtesy of The National Archives, ref: E 36/284)
The Domesday Abbreviato
The Domesday Abbreviato, also known as the Exchequer Abbreviato in the National Archive, is one of three condensed, abbreviated versions of the Domesday Book produced in the thirteenth century. The Domesday Book was the survey of England ordered by King William the Conqueror in 1085, principally to find out who owned what land and resources so that the King could levy taxes.
The survey covered 37 counties and named 13,418 places in about two million words. Within it, the Domesday Book gave the names of landholders in each county, the manors that each landholder owned, their values and the names of their subtenants, and the names of many boroughs as well as details of their customs. It also included the number of freemen and others in each manor and the resources available including land taxable uses, plough teams, livestock, mills and supporting equipment and buildings.
The format of the Domesday Book was not one that could easily be updated, and the mass of detail in its text buried the essential information about landholding, manors and titles which was important for levying taxes. These key details were extracted into summarised versions. These abbreviated versions were far more portable and easily reproduced and contained the essential information needed for immediate administrative use.
Colours and illustrations
The entry for each county opens with the ‘TERRA REGIS’, ‘the King’s land’, with its capital letter beautifully painted. The size, colouring and detail of that letter is a direct measure of the importance of the landholder whose property is summarised. The capitals for the entries describing the King’s holdings include gold and are always the largest, most colourful and ornate. The capital letters for other entries are much more modest and simple in two colours – red and blue. Red lines indicate the importance of each property in the entry. The King’s entries, as is to be expected, have more red lines than any of the entries of other landholders.
The capital letter for the entry for Derbyshire has a man of African descent holding onto a letter ‘I’. Its colouring and size indicate that it is the opening letter to an entry summarising the King’s property in the region.
An African man in thirteenth-century England?
Why might the Abbreviato feature an image of an African man?
Like many other islands, Britain has a long record of migration, which dates back thousands of years. An African presence can be specifically dated back to the migration to Britain of the Roman Emperor Septimius Severus, who was born in modern-day Libya.
An African presence in Britain dating to around the same time as the Exchequer Abbreviato was discovered when a skeleton was examined by the BBC History Cold Case team. The skeleton was found to have come from a medieval Christian cemetery in the grounds of a monastery in Ipswich. Carbon dating, bone analysis and DNA tests revealed the man was born sometime between 1190 and 1300 in North Africa and that he had lived in Britain or an equally cold, damp climate for at least the last ten years of his life. Nine other African skeletons have been found in the Ipswich cemetery and these people seem to have come from sub-Saharan Africa.
They may have come to Britain as prisoners captured during one of the many Crusades during the period. Alternatively, they may have come to England as visitors, as there were sub-Saharan Christians from what is today Sudan and Ethiopia who took part in the Crusades on the side of Europe against the Muslims of the Middle East.
Fully documented evidence of people of African descent coming and settling in England first appeared in the sixteenth century when the baptisms, marriages and burials of people of African descent are to be found in church records and in other official records.
The scribe who drew the image in the Abbreviato might have seen an African man who had come to England as a prisoner or a visitor following one of the Crusades during the period.
What did the image of the African man mean at the time?
To understand what the image might have meant at the time, we can compare its representation with other figures we know in the Exchequer Abbreviato. When we see a man in a film or a play wearing a pinstriped suit and tie, we can be fairly certain that he represents a business man. Similarly, we have some idea of the status of the man in the image in society from what he is wearing, when his clothes are compared to others in the Exchequer Abbreviato.
Since Roman times, long flowing clothes had denoted high rank, whilst the short tunic worn over hose was normally the dress of peasants and labourers. If we compare the African’s dress with how the kings are dressed elsewhere in the Abbreviato we can see, for instance, that the kings (see below image) have long, flowing dress reflecting high status, while the African man wears the short tunic indicative of low status. From this we can guess that the African man represents perhaps a peasant or a labourer or someone we might call ‘working-class’ today.
The image shows a comparison of figures from the Abbreviato (Courtesy of The National Archives)
The purpose of the image was to indicate that the Exchequer Abbreviato entry for Derbyshire manors, opening with the capital ‘I’, belonged to the King. The scribe for this entry might have seen a person of African descent, who came as prisoner or visitor following one of the Crusades and he pictured the person as a peasant or labourer.
Above is a description of what we know about the African man in the Abbreviato, but there are other questions that might be asked about the image.
As mentioned above, and as we know, clothing, positioning, and other personal features in artworks can tell us a great deal about a figure’s intended status and sometimes play an important representative function.
When analysing the African in the Abbreviato, we can probe further into his appearance and consider the following:
- He has orange stripes on his tunic. Are those hoops featured elsewhere in this era? What might they represent? Have they had a symbolic role since?
- Might the intricate checked pattern on his socks be symbolic?
- Is this a positive image of a person of African descent? Are we able to determine that from our historical standpoint?
- Are there any clues as to whether or not the man was meant to represent a visitor or prisoner? Could he have been something else?
- Can historians be confident this picture was based on a real person? Why/why not?